The third part, homage to great artists, plunges the viewer even deeper into the states described above and helps the viewer find his or her own answers to troubling questions.
“Aggression”, homage to Picasso, allows you to plunge into an aggressive environment in which it is not always clear who is the victim, who is the aggressor. Whether this is an internal or external world is up to the viewer to decide. The most important thing is to see that in the state of aggression all roles are mixed up, there are no right and wrong. At the same time, it is such an energetically charged state that if you learn how to manage it and turn aggression into a constructive direction, you can make mountains.
The collage “Everything is mixed up, people, horses”, homage to Bosch, calls for a closer look at the existing reality. The world is plunging into chaos. Familiar supports have been destroyed, and there are no new reference points yet. Everyone tries to find them in their own way. Some try to find new selves, to build new relationships with the changing outside world, through animal bondage, bestiality, and in an attempt to find new ones
“Choice”, homage to Dali, reminds the viewer that every day we make choices. Which way to go, who to spend the new day with, what to devote the next 24 hours of our lives to. It is up to each of us whether today we take off, opening new horizons or prefer a quiet, cozy, familiar environment. Here, again, there is no right or wrong choice. What's needed here is awareness - whether what I choose each day is actually aligned with my global goals and true needs.
“Beauty and the Beast,” Dekuning's homage, gives the viewer the opportunity to touch the most monstrous, monstrous part of herself. To get to know it, to stop denying or fearing it. To realize what limitless resources it has. And, finally, to find wholeness, accepting both the most beautiful and the most seemingly terrible. Only in this way, united with all our parts, we can fully see the world, accept it with all its complexities and imperfections.